additional movie favorites . . .

It's been a little bit of an obsession reviewing some of my favorite films (with my faltering memory), but I have thought of a few more since my original list. I know I've named a lot of movies here. I may revisit the list and highlight the best of my favorites. Also, I invite you to submit your favorite films.

Brazil (directed by Terry Gilliam)
Forrest Gump
The Departed
Dave
The Natural
O Brother, Where Art Thou?
Blade Runner
Risky Business
Pennies from Heaven
Casablanca
The Hot Rock
Singin' in the Rain
Three Days of the Condor
Water (directed by Deepa Mehta)

"art is not a thing . . .

it is a way . . . " goes one of my favorite quotes from Oscar Wilde.

The above photo was shot in an art gallery on a recent trip to Pittsburgh. I'm certainly at risk of declaring my ignorance here, but sometimes I just don't "get" contemporary art. In this instance, "art is not a thing . . ." , or perhaps it is . . . just a thing, a disturbing, twisted thing . . .

movies, movies, movies

I LOVE the movies. Hardly a weekend goes by without seeing at least one movie. Although this does not necessarily mean I am an expert, I have experienced a broad spectrum of movies ranging from the down right deplorable (necessitating a good shower) to the . . . laudable (for want of a better adjective). As in any art form, beauty is purely subjective. I know what I like and I know what I don't like.

Because of my notoriety as an avid movie-goer, friends often ask me for recommendations when updating their Netflix list. As a result of much soul-searching, I have compiled a brief list of some of my all-time favorite movies. It is by no means complete. I may add to the list as I think of some movies I may have overlooked. Nonetheless, I share it with you here in its present incarnation. You can judge by some you have seen on the list whether or not we share the same taste in movies. I'm confident there are some on the list you have not heard much about, such as "Restoration, " or "Titus" or even "Empire of the Sun," but I think if you take a shot at viewing one of these, you will be pleasantly surprised. (Warning: "Titus" is very, very dark and violent, so unless you are in the proper frame of mind, you may want to forgo this one. It is after all, Shakespeare.) Even if you don't give one of these films a shot, I hope you find it moderately interesting and amusing to at least visit the list below:

Cinema Paradiso
Restoration (with Robert Downey Jr.)
Spellbound (Documentary)
E.T.
Diner
Empire of the Sun
Happy, Texas.
Moulin Rouge
About a Boy
Joyeux Noel
The Lord of the Ring Series
The Matrix (the first of the series, not the rest)
Crouching Tiger Hidden Dragon
House of Flying Daggers
Anything with Audrey Hepburn
Anything with Cary Grant
They Might Be Giants
The Last Samurai
The Professional
The Fifth Element
Silverado
The Great Escape
The Triplets of Belleville (animated)
American Graffiti
Titus
Letters from Iwo Jima
Robin and Marian
The Three Musketeers (directed by Richard Lester)
High Fidelity
To Kill a Mockingbird
L.A. Confidential
The Sting
Princess Bride
In Bruges
Crash
Rocky
Unforgiven
A Hard Day’s Night
Seven Samurai
Something’s Gotta Give
Jaws
Local Hero
Graveyard of the Fireflies (animated)

recent photo

A recent portrait I think turned out nicely.

a commercial break - a fellow photographer

An associate of my wife, an attorney by trade, shares my passion for photography. This week he had an opening for an exhibit of his photographs at Martine's, a local restaurant. Most of his images were black and white and showed an odd blurring on the edges with a small focused area in the center. I found this effect very intriguing since it isn't characteristic of any technique that I'm aware of. It cannot be attributed to a view camera which exhibits a more linear plane of focus. I suspected a toy camera might be at work here with the enhanced blurring on the edges created by a thin application of Vaseline. Other possibilities included Photoshop manipulation or simply employing a Lensbaby, but still either explanation did not seem quite right.

When I asked the photographer, Brett Johnson, how he achieved his effect, he openly shared his unique technique with me. Essentially, he shoots with an old Kodak Brownie Hawkeye camera that has been dis-assembled, then re-assembled with the shooting lens reversed. I had never heard about this before nor was I able to find anything on the internet. Some of his images are quite beautiful. I include the link to his gallery page that highlights this body of the work. The second photo from the left on the top row is my absolute favorite. It shows a Utah Transit Authority Trax stop on a rainy day. Check it out. You won't be able to just click on the URL and be linked to the site. Instead, you should cut and paste the URL into your web browser. The URL is listed below:

http://brettjohnsonphotography.com/?goto=accidental-photographs&thumbs=ok

reflections on the spiral jetty

The Spiral Jetty, Robert Smithson’s earthworks sculpture in the Great Salt Lake, resurfaced in 1993 as water levels subsided. This sculpture has since been re-visited by thousands of people and stands as a solitary homage to the passage of time. Its placement in a remote and desolate area serves brilliantly to underscore the isolation of age and gradual but inescapable deterioration. Smithson was a promising figure in the world of earthwork sculpture and sadly died at the age of 35 in a plane accident as he was scouting a prospective site for another work. Interestingly, the Jetty is owned by the Dia Art Foundation, a New York art gallery.

At present, there has been a lot of debate about what to do about the Jetty. Pearl Montana Exploration & Production, a Canadian company applied for a permit to do exploratory drilling less than 15 miles from the Jetty which would have meant the construction of rigs within a five mile radius of the earthwork. While this may seem like a significant enough distance from the Jetty, it would have meant the incursion of construction equipment and trucks even closer to the earthwork as they traveled to and from their site. Naturally, there was an immediate outcry prompting the state to return the permit to Pearl Montana and to solicit further information. While this provides the Jetty a brief dispensation, Pearl Montana is sure to re-apply.

Sadly, even the Dia Art Foundation does not know what to do. In its original state, the Jetty was submerged in blood-red water and provided a stunning contrast with its black basalt base and conglomeration of white salt. All of this has been diminished with time and the receding of the lake’s waters. Suggestions have been made to simply “let it be” with the hopes that when the lake’s waters rise once again, the Jetty will be restored to its original appearance. Others have suggested adding rocks to the Jetty, to help replenish its “drama.” No decisions have been made thus far. Smithson's intent for the Jetty at the outset was to eventually let it erode as a testimony to the natural order of all things. Perhaps the right thing to do is to do nothing.

Nonetheless, I had the opportunity to visit the Jetty several years ago. It was a very deliberate journey as dictated by its location so very far from the beaten path. (It would be difficult to accidentally stumble upon it unless you are prone to scouting UFO landing sites.) The journey entails a drive into the West Desert, past the Golden Spike National Historic Site on 15 miles of dirt road. There is little to indicate where you are headed. You can only take it on faith from the sign placed at the Golden Spike site that you will reach the Jetty eventually, which is accompanied by great relief and multiple layers of desert dust on the car attesting to the road less-traveled.

I was immediately struck by the Jetty's magnificant scale. Although there was no contrast as described above, the salt that encrusted the elevated jetty, combined with the surrounding brilliant white salt of a flat but expansive dead sea, evoked the appearance of a mystical giant altar. This altar however was circular in nature, stretching from what was once the shoreline and then swirling into its resting point in the center. Like a childhood visit to the beach, one cannot wait to open the car door to run out into its midst and experience it fully. It elicits joy out there in the middle of nowhere and I’m confident this was exactly Smithson’s intent. A similar structure in the middle of an urban setting or man-made park would not have the same impact. The Jetty is a celebratory affirmation of man’s imprint on the world. Admittedly man’s imprint hasn’t always been a good thing. Somehow though, out in the isolation of the desert where nobody would typically travel, after miles of desolation, finding this design wrought by the mind and hand of man, one finds comfort and re-assurance that we are not alone. There is evidence that someone has travelled this road, that they have also made this same journey and that they have left something behind to share with you; a wonderful, transformative secret.

miniature photography

Recently, a few photographers have begun taking cityscape images utilizing shift/tilt lenses. In essence these lenses provide perspective control capabilities that are primarily used to correct perspective distortion when shooting large buildings from the ground, etc. View cameras also have this shift/tilt capability. The cityscape images are usually taken from a distance, then with the special lens, the blurring and focus of the image is altered in such a way as to make the cityscapes look like images of toy miniature sets. A recent article in a photo magazine provided some guidelines about simulating this effect utilizing the all-powerful Photoshop tool. While this technique now threatens to become ubiquitous, it IS a fun one and I could not help but try this out on of my own images shot from a skyscraper in Houston on a recent trip. It is always nice to add another "trick" to one's photographic "arsenal" for just the right interpretation of an image.